
Bowser’s Castle (MK8)
Bowser’s Castle was much more than just a simple part of the superb Mario Kart 8 soundtrack: it finally gave the ever-present, much-maligned circuit the music it truly deserved.
Bowser’s Castle was much more than just a simple part of the superb Mario Kart 8 soundtrack: it finally gave the ever-present, much-maligned circuit the music it truly deserved.
Silent Hill 2’s secret “Dog Ending” set a bar that no other title has been able to beat, and it was all in the music, says Matt Gardner.
The 12 repetitive notes of Secure Place were all that Matt Gardner needed to create a feeling of temporary sanctuary in RE2’s world torn apart by zombies.
Despite ageing incredible well, the legacy of Beep Block Skyway has been tainted by something a lot less wholesome – as Matt Gardner learned to his horror.
Tower Theme, from Phantasy Star, stopped Alan Fowler in his tracks as a young boy, and left him with vivid memories that began a love for RPGs.
For Matt Gardner, Ridge Racer Type 4 provided the emblematic song of the 1999 school holidays: the warm, carefree Naked Glow.
Wing Fortress Zone’s music combined a steady pace with an unnerving composition to create an unforgettable song that took Sonic 2 to a whole new level, Matt Gardner argues.
FFVII’s Words Drowned by Fireworks had a bigger impact on Matt Gardner than the more universally revered Aerith’s Theme, but it took him a long time to realise it.
Matt Gardner’s FFIX experience was capped off with a truly special final battle, which gave him his favourite song in the game – but the game didn’t get the finale it deserved.