
Target (Mechanical Man)
Frank Klepacki’s insistence on diversity in his soundtracks made one particular black-sheep song a C&C classic, argues Matt Gardner.
Frank Klepacki’s insistence on diversity in his soundtracks made one particular black-sheep song a C&C classic, argues Matt Gardner.
With Mario Kart 64’s soundtrack, the best thing came to those who waited – and it’s this finality that gives Rainbow Road its core motif.
It’s no surprise that JFK Reloaded offended so many, but maybe the modern world needs more games like it in order to preserve common sense?
Ridge Racer had a limited soundtrack, but it made the most of this limited resource – especially after the race was over, argues Matt Gardner.
An uncharacteristically Zen break in Sonic 2’s otherwise brutal last few levels led to one of its most wonderful songs.
Too much of a good thing can be a bad thing. Matt Gardner learned that too much of something that’s not even that good can be even worse.
What’s better than a simple, effective, multi-directional, multiplayer, twin-stick shoot ‘em up? The music, says Matt Gardner.
Matt Gardner looks at the pioneer of not only the FPS genre, but atmospheric gaming at its finest.
The last great game in the Micro Machines franchise combined old rules, new tech and great timing to create the perfect multiplayer racer, writes Matt Gardner.